In this second volume of Poetic Production {2012-2023}, the seven poetry collections in Spanish published up to 2023 are gathered. The first three —Luz (2012), Muerte (2013), and Viento (2014)— were conceived within the poetic cycle Periferias, while the last three —Mares y jardines (2017-2018), Resurrecciones (2020-2022), and Agua oculta (2022-2023)— emerged independently, without the initial intention of forming a trilogy. Nevertheless, from a certain perspective, and considering the elements that connect them, it can be said that these three books constitute the pieces of a new and as yet unnamed poetic cycle.
Between these two groups lies a singular volume: Prolongaciones (2016), whose radical conceptual divergence from the others establishes it as a kind of caesura separating Periferias from the last three collections. Perhaps it works as a suspended link between both cycles, shaping the miscellany into a polyptych of aesthetic asymmetry where the symmetry of an ethic underlies: one that grants soul to every work built upon the foundation of truth.
